As with other artists visiting the Beeb, neither the band nor the engineers knew exactly what was going on, so the resulting freshness (and occasional audio dropouts) are endearing and add to the authenticity. Various other artists (Led Zeppelin, The Beatles) have mined the BBC vaults with success, and here the Stones evince their infatuation with American R‘nB. But most interesting of all the band’s recent activities is On Air, a collection of rarely heard radio recordings from their formative years, 19. Although not strictly tracking the album’s playing order (“Brown Sugar” was wisely pushed toward the end of the set), it is an energetic recording. A year after Oldchella, er…Desert Trip the Stones released Sticky Fingers Live at Fonda Theatre (From The Vault Collection). The Stones had previewed a track or two at Desert Trip. A collection of blues covers, it was a logical strategy for a band that built its reputation on recording tracks by older American blues masters. Two months after Desert Trip, the Stones released Blue & Lonesome, a return to their roots. One month after Desert Trip the band released Havana Moon, a live set from Cuba. Of the two biggest and longest running British Invasion acts still underway (we will get to the other in a moment), The Rolling Stones have let no moss gather. right: Brian Jones (1942 - 1969), Keith Richards, Bill Wyman, Mick Jagger and Charlie Watts. ![]() The Rolling Stones on a rooftop, 17th June 1964, before decent oral hygiene kicked in. I think you could trace what I do back that far." These songs of mine, I think of as mystery plays, the kind that Shakespeare saw when he was growing up. He has long surpassed the need to speak publicly about his work (he won the Nobel Prize for Literature during the week between the Desert Trip concerts, and he finally submitted his required acceptance speech just before the deadline), but one of his prior comments is as good as any: Even if he doesn’t win, he can still enjoy his prior 38 nominations and 10 Grammy wins. ![]() With Dylan’s vocal prowess steadily diminishing (probably as a result of his Never Ending Tour), I expect he appreciates the irony. More intriguingly, the actual nomination is for Best Traditional Pop Vocal Album. He is up for a Grammy for his prior Triplicate album, a three record (remember vinyl?) collection of standards. The eight CD box set gathers material during Dylan’s conversion to Christianity. As for Dylan, he plumbed the vaults for last month’s release Trouble No More: The Bootleg Series, Vol. Both shows I saw on the tour were remarkable, with setlists featuring very little recent material. Between two uneven albums, for instance, U2 toured on the strength of their phenomenal Joshua Tree album. It is often the case when veteran artists look to keep their pipeline filled that they rely on the past to stay in the public’s eye.
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